1. NOTHINGNESS OF URBANISM AND NOTHINGNESS OF THE SPECTACLE

Urbanism(1) doesn’t exist; it is only an “ideology” in Marx’s sense of the word. Architecture does really exist, like Coca-Cola: though coated with ideology, it is a real production, falsely satisfying a falsified need. Urbanism is comparable to the advertising about Coca-Cola — pure spectacular ideology. Modern capitalism, which organizes the reduction of all social life to a spectacle, is incapable of presenting any spectacle other than that of our own alienation. Its urbanistic dream is its masterpiece.

2. CITY PLANNING AS CONDITIONING AND FALSE PARTICIPATION

The development of the urban milieu is the capitalist domestication of space. It represents the choice of one particular materialization, to the exclusion of other possibilities. Like aesthetics, whose course of decomposition it is going to follow, it can be considered as a rather neglected branch of criminology. What characterizes it at the “city planning” level — as opposed to its merely architectural level — is its insistence on popular consent, on individual integration into its bureaucratic production of conditioning.
All this is imposed by means of a blackmail of utility, which hides the fact that this architecture and this conditioning are really useful only in reinforcing reification. Modern capitalism dissuades people from making any criticism of architecture with the simple argument that they need a roof over their heads, just as television is accepted on the grounds that they need information and entertainment. They are made to overlook the obvious fact that this information, this entertainment and this kind of dwelling place are not made for them, but without them and against them.
The whole of urban planning can be understood only as a society’s field of publicity-propaganda, i.e. as the organization of participation in something in which it is impossible to participate.