ANTLIFF, Allan. "Richard Mock"
( Quivers ex. cat. Omaha, Nebraska: Gallery 72 (2003): 9-10. Richard MOCK (1944 – July 28, 2006) a printmaker, painter, sculptor, and (…)
ANTLIFF, Allan
Articles
ANTLIFF, Allan. "Afterword: Let the Riots Begin"
in Anarchist Pedagogies: Collective Actions, Theories, and Critical Reflections on Education, Robert H. Haworth, ed. (Oakland: PM Press, (…)
ANTLIFF, Allan. "Anarchism and Art History: Methodologies of Insurrection"
The Continuum Companion to Anarchism Ruth Kinna, ed. London: Continuum Press, (2012), p. 72-85.
ANTLIFF, Allan. "The Politics of Rupture"
in Gord Hill, The Anti-Capitalist Resistance Comic Book. Vancouver: Arsenal Pulp, 2012. p. 6-13.
ANTLIFF, Allan. "Parodying Degeneration"
Boris Lurie: Prologue to a Retrospective. New York: Boris Lurie Foundation/Pierre Menard Gallery, 2011, p. 15-19.
ANTLIFF, Allan. "Biocentrism and Anarchy: Herbert Read’s Modernism"
IN Biocentrism and Modernism, Oliver Botar and Isabel Wunsche, eds. Farnham, UK: Ashgate, 2011, p. 153-160.
ANTLIFF, Allan. "Breaking Free: Anarchist Pedagogy"
in Radical Experiments in Utopian Pedagogy: Confronting Neoliberalism in the Age of Globalization. Mark Coté, Richard Day, Greig de Peuter. (…)
ANTLIFF, Allan. "Queer Art/Queer Anarchy"
in Realizing the Impossible: Art Against Authority. Josh MacPhee and Erik Reuland, eds. Oakland, CA: AK Press, 2007. p. 236-247.
ANTLIFF, Allan. "Visionary Seer for a Post-Industrial Age: Ananda Coomaraswamy’s Nietzsche"
in I am Not a Man, I am Dynamite! : Friedrich Nietzsche and the Anarchist Tradition, ed. John Moore. Autonomedia (2005): 39-47.
ANTLIFF, Allan. "Egoist Cyborgs"
IN The Uncanny: Experiments in Cyborg Culture, ed. Bruce Grenville, ex. cat. Vancouver Art Gallery, 2002. p. 101-113.
ANTLIFF, Allan. "Palestine without Borders"
in Made in Palestine, ed. Jim Harithas. Ex. cat. Houston : Station Art Gallery. 2004. p. 86-87.
ANTLIFF, Allan. "Stieglitz parmi les anarchistes"
Carrefour Alfred Stieglitz : Colloque de Cerisy, Jay Bochner and Jean-Pierre Montier, eds. Paris : PU Rennes, (2012). pp. 39-55. Alfred (…)