ANTLIFF, Allan. "The Politics of Rupture"
in Gord Hill, The Anti-Capitalist Resistance Comic Book. Vancouver: Arsenal Pulp, 2012. p. 6-13.
in Gord Hill, The Anti-Capitalist Resistance Comic Book. Vancouver: Arsenal Pulp, 2012. p. 6-13.
Boris Lurie: Prologue to a Retrospective. New York: Boris Lurie Foundation/Pierre Menard Gallery, 2011, p. 15-19.
IN Biocentrism and Modernism, Oliver Botar and Isabel Wunsche, eds. Farnham, UK: Ashgate, 2011, p. 153-160.
in Radical Experiments in Utopian Pedagogy: Confronting Neoliberalism in the Age of Globalization. Mark Coté, Richard Day, Greig de Peuter. (...)
in Realizing the Impossible: Art Against Authority. Josh MacPhee and Erik Reuland, eds. Oakland, CA: AK Press, 2007. p. (...)
in I am Not a Man, I am Dynamite! : Friedrich Nietzsche and the Anarchist Tradition, ed. John Moore. Autonomedia (2005): (...)
IN The Uncanny: Experiments in Cyborg Culture, ed. Bruce Grenville, ex. cat. Vancouver Art Gallery, 2002. p. 101-113.
in Made in Palestine, ed. Jim Harithas. Ex. cat. Houston : Station Art Gallery. 2004. p. 86-87.
( Quivers ex. cat. Omaha, Nebraska: Gallery 72 (2003): 9-10. Richard MOCK (1944 – July 28, 2006) a printmaker, painter, sculptor, and (...)
in American Modernism Across the Arts, eds. Jay Bochner and Justin Edwards, Peter Lang Publishers (1999): 52-72.
in Making Mischief: Dada Invades New York, eds. Francis M. Naumann and Beth Venn, (exhibition catalogue) The Whitney Museum of American Art (...)
“We are all Anarchists” and “Anarchy at Documenta,” Luis Jacob: Towards a Theory of Impressionist and Expressionist Spectatorship Köln: Verlag der (...)