LEIGHTEN, P.D. " Picasso : Art and Anarchism, 1897-1914 "

Rutgers University, 310 p. Ph.D., 1983 1897 DAI, VOL. 45-01A, Page 0002 Rutgers University, 310 p. Ph.D., 1983 1897 DAI, VOL. 45-01A, Page 0002 (...)

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LEIGHTEN, Patricia. "Réveil anarchiste : salon painting, political satire, modernist art"

Modernism/modernity "Anarchism" (2 Apr. 1995) 2 ): 17-47; 12 ill. Examines different salons, ideologies, activism of the Parisian bohemian (...)

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LEIGHTEN, Patricia.- The Liberation of Painting. Modernism and Anarchism in Avant-Guerre Paris

The University of Chicago Press, 2013. 248 p.; 32 color plates, 99 halftones | 8-1/2 x 11. Publisher’s Presentation Leighten examines the circle (...)

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LEIGHTEN, Patricia.- Ordering the Universe: Picasso and Anarchism, 1897-1914

Princeton: Princeton University Press, 1989. xbiii-197 p. Paperback: ISBN: 9780691002842 Hard cover: ISBN: 9780691040592 Publisher’s (...)

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LEIGHTEN, Patricia. "The World Turned Upside Down: Modernism and Anarchist Strategies of Inversion in L’Assiette au beurre,”

Journal of Modern Periodical Studies, Vol 4, 2013, #2, pp. 133-170. Abstract L’assiette au beurre, a leading pre-World War I Parisian journal of (...)

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LEIGHTEN, Patricia. "Modernist Abstraction, Anarchist Antimilitarism, and War”

Anarchist Developments in Cultural Studies, (December 2011) #2.

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Art and Anarchy

Anarchist Developments in Cultural Studies (ADCS) is an international, peer-reviewed, open-access journal devoted to the study of new and (...)

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LEIGHTEN, Patricia.- “The White Peril and L’Art nègre: Picasso, Primitivism, and Anticolonialism,”

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LEIGHTEN, Patricia.- “Artists in Times of War”

The Art Bulletin, (March 2009): 35-4. N.B.- Jstor is not a free data bank. It may be accessed through institutions that have (...)

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LEIGHTEN, Patricia.- “Picasso’s Collages and the Threat of War, 1912-13,”

Art Bulletin, LXVII, no. 4 (December 1985):653-72: http://www.jstor.org/stable/3050849. Reprinted in /Collage:Critical Views/, ed. Katherine (...)

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LEIGHTEN, Patricia.- “La Propagande par le rire:/Satire and Subversion in Apollinaire, Jarry and Picasso’s Collages””

Gazette des Beaux-Arts, CXII (October 1988):163-72.

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