Film Reviews and Bibliography

See also
Other films commented in French : "Quand les anars se font leur cinéma"
Other films commented in Spanish
In our era of accelerating global capitalism, where constant upheaval of every kind—political, social, economic, cultural, environmental—is the rule, the search for a social system that brings prosperity with justice has never been sought by as many people. The history of anarchism, whose roots go back to mid-19th century France and Russia, is based on “utopia,” the ideal of mutual aid and voluntary cooperation in lieu of control by the state or private concentrations of power.
Perhaps better known for the means, or perhaps failures, in achieving its goals rather than the ends desired, anarchist philosophy nonetheless lies at the heart of numerous activist organizations and causes (left and right) worldwide and has shaped our popular and political culture in countless ways. Today, both terms of internal structure and external goals, much is indebted to the anarchist imagination. Yet for a broader public, the spectrum of anarchist ideals remains outside the confines of common understanding, ignored as outmoded, equated with failed Marxism/Communism, thought to be the dangerous (terrorist) passion of the underclass or simply the nihilism of the young.
But the continuing inquiry by writers, historians, artists, activists and filmmakers into the subject in our globalist age suggests that its relevance to the present continues. We hope this series offers insight into the revolutionary desire for a better world. "
NW Film Center: Portland Art Museum, May 2002 Festival

Articles

Revenge of Trinity (Trinity sees Red) or Wind’s Fierce (La Cólera del viento)

Spain, 1971 color, 105’. In Spanish or Italian with English subtitles. Writing credits: Mario Camus and Mario Cecchi Gori. Spanish-Italian (...)

Living Utopia (Vivir la utopia)

Spain, 1997 color, 96 minutes Spanish with English subtitles. ASSISTANT DIRECTORS: Francesc RIOS and Mariana ROCA WRITING CREDITS: Juan GAMERO, (...)

Cops

USA, 1922 silent B&W, 18 mn. WRITING CREDITS: Edward F. CLINE and Buster KEATON CINEMATOGRAPHY: Elgin LESSLEY EDITING: Buster KEATON (...)

An Injury to One

USA, 2002 B&W and color 16mm., 53’. Director: Travis Wilkerson Script: Travis Wilkerson Cinematography: Travis Wilkerson Music: Various (...)

The Wobblies

USA, 1979 Color and b&w, 89’. CINEMATOGRAPHY: Sandi SISSEL, Judy IROLA, Peter GESNER, Bonnie FRIEDMAN EDITORS: Deborah SHAFFER, Stewart BIRD (...)

Matewan

USA, 1987 Color, 132 min. WRITING CREDITS: John SAYLES CINEMATOGRAPHY: Haskell WEXLER EDITING: Sonya POLONSKY PROD. DESIGN: Nora CHAVOOSHIAN ART (...)

Ormai è fatta!

Italy, 1999 Color, 1h40 minutes. In Italian with English subtitles WRITING CREDITS: Horst FANTAZZINI, Enzo MONTELEONE, Angelo ORLANDO (...)

Il figlio di Bakunin (The Son of Bakunin)

Italy, 1997 Color, 89’ In Italian and Sardenian. WRITING CREDITS: Sergio ATZENI, Gianfranco CABIDDU CINEMATOGRAPHY: Massimo PAU MUSIC: Franco (...)

Sartre par lui-même ( Sartre by Himself)

France, 1976 B&W. 98’ CINEMATOGRAPHY: Renato BERTA EDITING: Annie CHEVALLY SOUND: Luc PERINI, Antonio GRIGIONI, Alain SEMPE RESEARCH ASS.: (...)

¿Por qué perdimos la guerra? (Why Did We Loose the War?)

Spain, 1978 Color & BW: 88’ Writing Credits: Diego Santillán Cinematography: Julio Bragado Prod.: Francisco Galindo. CINEEQUILUZ FILM S.A (...)

Tolstoy

Gerasimov’s Leo Tolstoy URSS, 1984 COLOR,168’. WRITING CREDITS: Sergei Gerassimov CAST: Sergei Gerassimov, Tamara Makarova. In Russian with (...)

Some Curiosities. I. The Voice of the Violin

B&W, silent, 11 mn. SCREENWRITER & EDITOR: D.W. Griffith. CAST: Linda ARVIDSON, Clara T. BRACY, Gladys EGAN, Frank FOWELL, Arthur (...)