Some Curiosities. I. The Voice of the Violin
B&W, silent, 11 mn. SCREENWRITER & EDITOR: D.W. Griffith. CAST: Linda ARVIDSON, Clara T. BRACY, Gladys EGAN, Frank FOWELL, Arthur (...)
Communication. Films
Articles
Some Curiosities. II. Winterset
USA, 1936 B & W, 80 minutes. RKO SCREENPLAY: Anthony VEILLER based on the homonymous play by Maxwell Anderson. CINEMATOGRAPHY: Peverell (...)
Some Curiosities. III. The Tree of Guernica (L’arbre de Guernica)
France/Italy, 1975, color CAST: Cosimo Cinieri, Ron Faber, Mariangela Melato. PRODUCER: Francesco Cinieri; ASSOC. PROD.: Bernard Legargeant. (...)
L’Aigle à Deux Têtes (The Two-Headed Eagle)
Based on the homonymous play by Jean Cocteau. France, 1947. B&W, 35mm. Cast: Edwige Feuillère, Silvia Montfort, Jean Marais, Jean Deboucourt, (...)
Repentance (Monanieba)
Russia, 1987. Color, 151 mins, 35 mm. In Georgian with English subtitles. Script by Tenghiz Abouladze, Nana Janelize, Rezo Kvesalava. Cast: (...)
The Mystery of Oberwald (Il Mistero di Oberwald)
Italy, 1980. Color, 123 mins., 35 mm. Screenplay by Michelangelo Antonioni and Tonino Guerra. Editing by Michelangelo Antonioni and Francesco (...)
1919, Crónica del alba
Spain, 1983, color based on the homonymous novel by Ramón J. SENDER. CINEMATOGRAPHY: Juan Ruiz Anchía; PRODUCERS: Carlos ESCOBEDO, Javier MORO. (...)
Libera, My Love (Libera, Amore Mio)
Italy, 1973. Color and B&W, 110 mins. Scenario by Luciano Vincenzoni, Nicola Badalucco, Mauro Bolognini. Cinematography by Franco Di (...)
I.F. Stone’s Weekly
Canada, 1973. B&W, 16 mm., 62 mins. I.F. Stone, Walter Cronkite, Peter Osnos, Ralph Ingersoll. Jerry Bruck, Jr., director. Journalism and (...)
Luis Buñuel
Federico Garcia Lorca et Buñuel Buñuel was not an anarchist, but a member of the Communist Party. Besides, he had not appreciated that, as a sign (...)
La Cecilia
Italy-France, 1975. Color, 113 mins. Scenario by Jean-Louis Comolli, Marianne di Vertimo, Eduardo de Gregorio. Cinematography by Yan Lr (...)
Anarchy USA
United States, 1966, Black and White, 78’ Before viewing this film, I glanced at the title and I expected to see a geographical, historical or (...)