ANTLIFF, Allan and Marcus MILWRIGHT, "The Public Humiliation of Saddam Hussain"

Anarchist Studies 13:1 (2005)

ANTLIFF, Mark. "Henri Gaudier-Brzeska’s Guerre sociale: Art, Anarchism and Anti-Militarism in Paris and London, 1910–1915"

Modernism/modernity Volume 17, Number 1, January 2010 pp. 135-169. In his recent biography of the modernist sculptor Henri Gaudier-Brzeska (...)

ANDRO, Denis. "Es-Sirr. Engagement libertaire, peinture, et « Tradition » ésotérique autour d’Ivan Aguéli"

En Europe, ceux qui ont été favorisés par la vision des cieux qui s’ouvrent sont presque toujours des révoltés et des réfractaires. Abdul-Hâdi, (...)

ANTLIFF, Mark and Scott KLEIN, eds. Vorticism : New Perspectives

Oxford University Press, 2013. xiv, 286 pages : illustrated ; 26 cm. ISBN 9780199937660 (hardcover); ISBN 0199937664. Includes : ANTLIFF, (...)

ANTLIFF, Mark and Vivien GREENE, eds. The Vorticists: Rebel Artists in London and New York, 1914-1918

Exhibition catalog, edited by Mark Antliff and Vivien Greene ; with contributions by Paul Edwards, Anna Gruetzner Robins, Robert Hewison... [et (...)

ANTLIFF, Mark and Vivien GREENE, eds. I Vorticisti : Artisti Ribelli a Londra e New York, 1914-1918

Catalogo della mostra, curato da Mark Antliff e Vivien Greene. London : Tate Pub. , 2011 Comprende : "Nominalismo Scultoreo/Vortice Anarchico (...)

ANTLIFF, Mark. Inventing Bergson: Cultural Politics and the Parisian Avant-Garde

Princeton University Press, 1993. 250 p. ISBN-10: 0691032025; ISBN-13: 978-0691032023 Chapter Five is titled: "From Bergson to Bonnot: (...)

ANTLIFF, Mark. “Contagious Joy: Anarchism and the reception of Jacob Epstein’s Tomb of Oscar Wilde, c. 1913”

Journal of Modern Periodical Studies, 4 (2013),2, pp. 195-225.

ANTLIFF, Mark. “Revolutionary Immanence: Bergson among the Anarchists,”

in eds. John Mullarkey and Charlotte de Mille, Bergson and the Art of Immanence Edinburgh University Press, 2013, pp. (...)

ANTLIFF, Mark.“La sculpture contre l’État. Gaudier Brzeska, Dora Marsden, Ezra Pound,”

in eds. Maria Stavrinaki and Maddalena Carli, Artistes et partis – Esthétique et politique (1900-1945). Paris : Les presses du réel, 2012, pp. (...)

ANTLIFF, Mark. "The Jew As Anti-Artist: Georges Sorel, Antisemitism, and the Aesthetics of Class-Consciousness"

Oxford Art Journal 20:1 (1997), 50-67; revised version in eds., Matthew Baigel, Milly Heyd and Rose Carol Washton-Long, Jewish Dimensions in (...)

ANTLIFF, Mark. “The Fourth Dimension and Italian Futurism: A Politicized Space”

in The Art Bulletin (December 2000), p. 720-33.