ANTLIFF, Mark

Articles

ANTLIFF, Allan and Marcus MILWRIGHT, "The Public Humiliation of Saddam Hussain"

Anarchist Studies 13:1 (2005)

ANTLIFF, Mark. "Henri Gaudier-Brzeska’s Guerre sociale: Art, Anarchism and Anti-Militarism in Paris and London, 1910–1915"

Modernism/modernity Volume 17, Number 1, January 2010 pp. 135-169. In his recent biography of the modernist sculptor Henri Gaudier-Brzeska [Fig. (…)

ANDRO, Denis. "Es-Sirr. Engagement libertaire, peinture, et « Tradition » ésotérique autour d’Ivan Aguéli"

En Europe, ceux qui ont été favorisés par la vision des cieux qui s’ouvrent sont presque toujours des révoltés et des réfractaires. Abdul-Hâdi, (…)

ANTLIFF, Mark and Scott KLEIN, eds. Vorticism : New Perspectives

Oxford University Press, 2013. xiv, 286 pages : illustrated ; 26 cm. ISBN 9780199937660 (hardcover); ISBN 0199937664. Includes : – ANTLIFF, (…)

ANTLIFF, Mark and Vivien GREENE, eds. The Vorticists: Rebel Artists in London and New York, 1914-1918

Exhibition catalog, edited by Mark Antliff and Vivien Greene ; with contributions by Paul Edwards, Anna Gruetzner Robins, Robert Hewison... [et (…)

ANTLIFF, Mark and Vivien GREENE, eds. I Vorticisti : Artisti Ribelli a Londra e New York, 1914-1918

Catalogo della mostra, curato da Mark Antliff e Vivien Greene. London : Tate Pub. , 2011 Comprende : "Nominalismo Scultoreo/Vortice Anarchico (…)

ANTLIFF, Mark. Inventing Bergson: Cultural Politics and the Parisian Avant-Garde

Princeton University Press, 1993. 250 p. ISBN-10: 0691032025; ISBN-13: 978-0691032023 Chapter Five is titled: "From Bergson to Bonnot: (…)

ANTLIFF, Mark. “Contagious Joy: Anarchism and the reception of Jacob Epstein’s Tomb of Oscar Wilde, c. 1913”

Journal of Modern Periodical Studies, 4 (2013),2, pp. 195-225.

ANTLIFF, Mark. “Revolutionary Immanence: Bergson among the Anarchists,”

in eds. John Mullarkey and Charlotte de Mille, Bergson and the Art of Immanence Edinburgh University Press, 2013, pp. 94-111.

ANTLIFF, Mark.“La sculpture contre l’État. Gaudier Brzeska, Dora Marsden, Ezra Pound,”

in eds. Maria Stavrinaki and Maddalena Carli, Artistes et partis – Esthétique et politique (1900-1945). Paris : Les presses du réel, 2012, pp. 10-25.

ANTLIFF, Mark. "The Jew As Anti-Artist: Georges Sorel, Antisemitism, and the Aesthetics of Class-Consciousness"

Oxford Art Journal 20:1 (1997), 50-67; revised version in eds., Matthew Baigel, Milly Heyd and Rose Carol Washton-Long, Jewish Dimensions in (…)

ANTLIFF, Mark. “The Fourth Dimension and Italian Futurism: A Politicized Space”

in The Art Bulletin (December 2000), p. 720-33.