Film Reviews and Bibliography

See also
Other films commented in French : "Quand les anars se font leur cinéma"
Other films commented in Spanish
In our era of accelerating global capitalism, where constant upheaval of every kind—political, social, economic, cultural, environmental—is the rule, the search for a social system that brings prosperity with justice has never been sought by as many people. The history of anarchism, whose roots go back to mid-19th century France and Russia, is based on “utopia,” the ideal of mutual aid and voluntary cooperation in lieu of control by the state or private concentrations of power.
Perhaps better known for the means, or perhaps failures, in achieving its goals rather than the ends desired, anarchist philosophy nonetheless lies at the heart of numerous activist organizations and causes (left and right) worldwide and has shaped our popular and political culture in countless ways. Today, both terms of internal structure and external goals, much is indebted to the anarchist imagination. Yet for a broader public, the spectrum of anarchist ideals remains outside the confines of common understanding, ignored as outmoded, equated with failed Marxism/Communism, thought to be the dangerous (terrorist) passion of the underclass or simply the nihilism of the young.
But the continuing inquiry by writers, historians, artists, activists and filmmakers into the subject in our globalist age suggests that its relevance to the present continues. We hope this series offers insight into the revolutionary desire for a better world. "
NW Film Center: Portland Art Museum, May 2002 Festival

Articles

1919, Crónica del alba

Spain, 1983, color based on the homonymous novel by Ramón J. SENDER. CINEMATOGRAPHY: Juan Ruiz Anchía; PRODUCERS: Carlos ESCOBEDO, Javier MORO. (…)

I.F. Stone’s Weekly

Canada, 1973. B&W, 16 mm., 62 mins. I.F. Stone, Walter Cronkite, Peter Osnos, Ralph Ingersoll. Jerry Bruck, Jr., director. Journalism and (…)

Tolstoy

Gerasimov’s Leo Tolstoy URSS, 1984 COLOR,168’. WRITING CREDITS: Sergei Gerassimov CAST: Sergei Gerassimov, Tamara Makarova. In Russian with (…)

Some Curiosities. I. The Voice of the Violin

B&W, silent, 11 mn. SCREENWRITER & EDITOR: D.W. Griffith. CAST: Linda ARVIDSON, Clara T. BRACY, Gladys EGAN, Frank FOWELL, Arthur V. (…)

Some Curiosities. II. Winterset

USA, 1936 B & W, 80 minutes. RKO SCREENPLAY: Anthony VEILLER based on the homonymous play by Maxwell Anderson. CINEMATOGRAPHY: Peverell (…)

Some Curiosities. III. The Tree of Guernica (L’arbre de Guernica)

France/Italy, 1975, color CAST: Cosimo Cinieri, Ron Faber, Mariangela Melato. PRODUCER: Francesco Cinieri; ASSOC. PROD.: Bernard Legargeant. (…)

L’Aigle à Deux Têtes (The Two-Headed Eagle)

Based on the homonymous play by Jean Cocteau. France, 1947. B&W, 35mm. Cast: Edwige Feuillère, Silvia Montfort, Jean Marais, Jean Deboucourt, (…)

Repentance (Monanieba)

Russia, 1987. Color, 151 mins, 35 mm. In Georgian with English subtitles. Script by Tenghiz Abouladze, Nana Janelize, Rezo Kvesalava. Cast: (…)

The Mystery of Oberwald (Il Mistero di Oberwald)

Italy, 1980. Color, 123 mins., 35 mm. Screenplay by Michelangelo Antonioni and Tonino Guerra. Editing by Michelangelo Antonioni and Francesco (…)

Libera, My Love (Libera, Amore Mio)

Italy, 1973. Color and B&W, 110 mins. Scenario by Luciano Vincenzoni, Nicola Badalucco, Mauro Bolognini. Cinematography by Franco Di (…)

¿Por qué perdimos la guerra? (Why Did We Loose the War?)

Spain, 1978 Color & BW: 88’ Writing Credits: Diego Santillán Cinematography: Julio Bragado Prod.: Francisco Galindo. CINEEQUILUZ FILM S.A (…)

Luis Buñuel

Federico Garcia Lorca et Buñuel Buñuel was not an anarchist, but a member of the Communist Party. Besides, he had not appreciated that, as a (…)